A fundamental element to my practice of taking pictures, particularly of the natural world, comes from the perceptual sense that I could take a thousand pictures standing in one spot—that everything I see constitutes an organic artfulness that doesn’t require fashioning.  What the eye can see has […]

I arrived in South Korea in September 1995, and I’d been there 3-4 months.  I started to think about my camera, a beloved Minolta 35 mm. film camera I’d had by then for about ten years.  I hadn’t put it to use, but here I was in a perceptual world quite distinct from my lifelong […]